The skies are dark and the tropical winds are blowing much stronger than usual, it’s that kind of day here on the beach. Anywhere else up north the winds and dark skies would be rather depressing, but here, for me, it’s an Oscar Peterson/Cole Porter kind of day. When I woke up to grey skies I welcomed the change in the sameness tropical living sometimes brings.
After my early morning walk with Sophie, nothing better than starting my day with a cup of tea, biscotti, Oscar and sharing my thoughts out into the digital universe.
For me, music has always been a barometer of our culture. Growing up in the forties and fifties, music was happy, soulful, lyrics clear and smooth, the beat consistent. Songs were about love, the good life and moving on. Listeners could tap their feet, shake their heads and groove to the beat in ‘slo-mo’ or shoulder shaking heat. Music felt good.
As a teen I would lie across my bed and dream to The Four Aces, Tony Bennet, Frank Sinatra and Cole Porter’s lyrics. The future and the world was out there for me, just waiting. Of that I was sure. It was a positive world I would be walking into. The music that surrounded me told me so.
My husband, having celebrated his ninth decade on this earth yesterday has taken me back into his reality of WWII evolving into peacetime prosperity and a more civil and dare I say simple, moral times.
What has happened to us as a society? Up until the music of the nineties and from there what has happened to lyrics with decency and morality in some popular music tastes? I can still close my eyes and dream to some, but I feel I’m in a dying generation as far as music goes.
As the music becomes corrupt and dies, so goes the culture, so goes the nation. I never thought life in 2016 would evolve into what it appears to be today. I don’t think I have to spell it out for you, you must see it, too.
©Sandra Hart 2016. All Rights Reserved
Cole Porter: His numerous hit songs include “Night and Day”, “Begin the Beguine”, “I Get a Kick Out of You”, “Well, Did You Evah!”, “I’ve Got You Under My Skin”, “My Heart Belongs to Daddy” and “You’re the Top”. He also composed scores for films from the 1930s to the 1950s, including Born to Dance (1936), which featured the song “You’d Be So Easy to Love”; Rosalie (1937), which featured “In the Still of the Night”; High Society (1956), which included “True Love”; and Les Girls (1957).